Doctor T Designs

(1) Don’t waste expensive interfacing on cheap fabric.  My fabric sort of turned into a puckery melty mess when I used the good interfacing, but when I used the cheap interfacing it turned out nice and smooth.  Probably because the cheap interfacing required less steam to fuse, and less heat.  Also probably because it has less adhesive on it as well.  The fabric itself was of mystery content and seemed to behave well on test samples, but on larger pieces the use of the iron made more puckers and problems than nicely pressed seams.

(2) With lining you get what you pay for.  I used a super lightweight poly charmeuse that I bought at the Michael Levine Loft for about $0.50 per yard.  Lightweight lining is nice because it is lightweight.  Lightweight lining is not nice because it is shifty and frays like there is no tomorrow.  The leftover is going into an interlined coat for sure – that way I can surge it to some flannel before trying to sew it together again.  Sheesh.

(3) Don’t try to decipher Burda’s instructions with a flu addled brain.  The translation makes little enough sense when all is well, let alone when everything feels fuzzy and confusing.  Also, don’t second guess your ability to insert welt pockets.  You know how to make welt pockets.  Don’t listen to Burda, they will just confuse you (or, well, their instructions with a mistake in them will confuse you).  Also, don’t try to read them and second-guess what Burda expects at the end.  Trust your instincts lest you spend 3 hours fussing with pockets that should have taken 45 minutes, tops.

(4) Either I am a total idiot, or Burda screwed up on the drafting of the collar piece.  After wasting three hours trying to puzzel out the collar insertion I finally started staring at the model photos and the line drawings and realized that there was something wrong with the collar draft.  I fixed it, but I wasted a day on something that should have taken an hour.  Not to mention having to re-cut all of the collar pieces.  And wasting my good interfacing.  I hate wasting interfacing.

(5) Sometimes less is more.  I tried to use sleeve heads to add structure to the jacket sleeves, but it just made them look worse.  Also, trying to set in the sleeves on an oddly stretchy material is NOT fun.  I think I ripped the sleeves out about four times each.  They are still not perfect, but at this point I am living with good enough.  It seemed like the more I tried to fix them, the worse it got – this material seems to grow with handling and heat, so eventually I gave up on it as being good enough.  Also, after about the third insertion I figured I had screwed up the sleeve cap when I adjusted the sleeve to add extra room for my upper arm, but when the lining set in with no problems I had to conclude that it was (yet again) another problem caused by my fabric choice.  *Le sigh*

(6) I bagged a lining for the first time!  Actually, this is a good thing and I plan to do this again more in the future.  It is maybe not exactly perfect, but after everything else I can live with it.

(7) I love the style, fit, and color.  I hate the fact that there are so many issues caused by the fabric choice and all of the obvious sewing errors. But I think I am probably going to end up wearing it a lot anyway, because I love the style so much.  I also think I will eventually have to make another one out of a more readily tailorable material.  Maybe more than one.  Maybe one in each color.

Ok, enough blathering, here are some pictures:

Teal blazer!

I love the style of this pattern. It can be formal buttoned up…

…or casual unbuttoned with rolled sleeves.

I love the angled hem and welt pockets.

The back… looks way worse in the photo than in real life. But the fit is comfy – this jacket passes the reach test.

Of course, being me, the lining couldn’t be boring…

Looks pretty snazzy for diving in bargain bins at the Michael Levine Loft.

Welt pocket close up!  Also, you can see how the fabric was really not happy about being interfaced, especially on the wrinkly front panel.

Collar with collar stand.  I had to fix the collar piece so it fit correctly…

Collar piece #27.  You can see how I had to cut off the end so it would properly fit into the jacket lapel opening.

Sparkly teal button!  I love how it matches my lining…

And my official pattern review:

Pattern Description: Blazer style jacket with welt pockets and soft pleat under the bust for shaping.

Pattern Sizing: Burda sizes 36-44.  I traced a size 40, but I had to make some adjustments for fit (see adjustment section).  I felt like the sleeves on this pattern were much tighter than on any other Burda pattern I have tried, but the rest of the sizing felt very consistant with Burda’s typical fit.  I have recently been experimenting with being more liberal with my multi-sizing in tracing, but since I had traced this pattern a while ago I didn’t make use of the multiple sizes.  Now I know better, so I probably wouldn’t have had to make quite so many adjustments.

Were the instructions easy to follow?  I thought that for the most part the instructions were very good BUT there was a mistake in the instructions for the welt pocket.  The magazine says that the folded edge of the welt should be placed along the abutting line (aka the line you will cut to make the pocket opening) but in reality you should placed the raw edges of the welt along the abutting line.  That way when you flip the welt to the inside the folded edges line up to cover the pocket opening.  Also, you will be making welts that are 1/2″ thick, not 1/4″ thick (at least, that is how it ended up on my version).  The collar instructions are also a bit confusing (though I think the main problem was that the pieces weren’t fitting together properly due to a drafting error – once I changed the collar piece then everything made sense, but by then I had been staring at it for a few hours, so perhaps I had just worked it out in my head).  Otherwise the instructions are pretty good.  Though I didn’t follow them exactly since I decided to make a full lining instead of finishing the seam allowances and using a half lining.

Did it look like the photo/drawing when you were done with it?  Yes, very much so!  The finished jacket has very distinctive lines and shape, and my version has all of these great qualities.  I really love the design of this pattern.  I only wish my fabric hadn’t misbehaved and created so many puckery messy issues.

What did you particularly like or dislike about the pattern?  Likes: I really love the style of this jacket – it has plenty of seam lines to use to adjust fit, and the softly tailored style makes this piece really easy to wear as part of a business suit, or with jeans for a more casual but put together outfit.  It really is a versatile style and I love everything about the design of it.  I also like that is has only one button both because it was fast to finish the closures and because I like the way a single-button jacket looks on me.  I love the welt pockets (very easy to make because they close in the side seam so you only have to make half of a welt pocket really), and I really love the collar with the collar stand.  Although the pattern pieces didn’t quite fit together correctly, the collar stand gives a fabulous shape to the neck of the jacket.  Dislikes:  I didn’t like that this was only supposed to have a half lining (although since it was part of the summer issues I undertand why), so I had to draft my own lining pieces.  Also I think that the collar piece was not drafted correctly (see alterations section) and that caused a lot of frustration during the construction process.  Since Burda made their version out of stretch material the sleeve also seems much smaller than any of the other Burda patterns I have used.  Finally, the errors in the instructions (see above) were rather annoying, though I should have known better than to waste so much time puzzling them out.

Fabric used:  A lot of mystery bargain fabric.  I believe it is some sort of poly/lycra stretch poplin for the outer shell of the jacket, which I got for $3/yard.  The lining was also a bargain bin find (about $0.50/yard), but I am pretty sure it is a very thin poly charmeuse print.  I used muslin for interior structure, and I also used several weights of fusible interfacing.  Overall I have to admit that I originally thought the stretch poplin would be a great choice and hopefully mimic the stretch of the jersey and sweat-shirting material Burda used in their original versions.  Unfortunately my particular fabric was prone to stretching out, melting with use of the iron, and puckering rather than pressing.  It was not the best choice for attempting a tailoring project.  With a different fabric choice I think this could have been a project of total win instead of one leaving me with mixed feelings.  Ah well.  Live and learn.

Pattern alterations or design changes you made:  For fit I took in the seams on the back (swayback adjustment), I adjusted the size of the upper sleeves because the original pattern felt quite small, and I made a square shoulder adjustment (it was obvious I needed one on my muslin, but I think I may have been a bit overzealous with this adjustment for the final version).  I used instructions in High Fashion Sewing Secrets to draft my own back stay and additional interfacing pieces.  As far as adjustments to the pattern I drafted a full lining instead of only using the half lining called for by the pattern.  I also had to adjust the collar (pattern piece #27) because I think it was drafted wrong.  The collar matched up well the the collar stand (pattern piece #28) at seam marking 4, but then the edge of the collar that fits along the lapel seam is too long.  I measure the opposite edge that was supposed to be the point on the collar which is the correct length to fit into the lapel seam, and used that measurement to shorten the edge that is caught in the lapel seam.  I adjusted the collar piece accordingly by cutting off a parallelogram shaped segment so that the collar would retain its intended shape.  In the end I think my collar is just a bit smaller than the one pictured in the magazine, but it looks close enough that I don’t think the change is really noticeable.

Would you sew it again?  Would you recommend it to others?  I would definitely sew this again.  Maybe not anytime soon (so many patterns, so little time as we all know) and I will definitely use a different type of fabric next time around, but I LOVE this style and I want one in every color!  I think I might want to re-trace the sleeves again using a combo of the 40/42 sizes for extra room, rather than using my adjusted sleeve pattern, and I might also need to add half an inch to the sleeve length.  Otherwise I am very happy with the pattern and I would love to make another one.  I would also recommend this pattern to others, but only if they have sewing experience since the instructions have a few errors, and because the collar pieces don’t quite match up.  It isn’t exceptionally difficult, but it is time consuming and there are lots of details to deal with.  It is definitely a pattern that takes a lot of effort, but the result is totally worth it.

Conclusion:  Fabulous design, but the pattern and instructions have a few errors.  Also, my fabric choices really screwed up the polish of the final product, but that was poor judgement on my part.  I really love the look and style of the jacket, so I think I will have to make some more of these in the future.  It isn’t exactly the perfectly tailored blazer I was hoping for, but I love the style of the jacket so much I expect I will still be wearing my version quite a bit.  All in all I have to say that with the pattern issues and the poor fabric choice I am not as crazy about the finished product as I should be, but I still like the result more than I should considering how many construction problems I had with it.  So in the end I think this will see quite a bit of use in my wardrobe, because I love the style, but I will probably need to replace it eventually with another version made in better fabrics with slight pattern adjustments.

And that’s that!  Another project down.  Also, I am going to count this as one of the items for my year long Sewing Challenge of creating seasonally appropriate wardrobe staples.  This blazer really is very versatile and I expect I will wear it a lot, despite the mistakes.  It was really supposed to be the blazer from last year’s Tim Gunn inspired sewing challenge, but I didn’t find the time to complete it last year.  Of course, this only highlights how quickly I get around to my planned projects since I had bought the main fabric for this project back in 2011 when the magazine came out.  I had the pattern traced last fall, but school and life got in the way.  I am happy it is finished though, even if the end result isn’t quite as fantastic as I had hoped it would be.  At least I have a wearable garment, I learned a few valuable lessons, and now I can move on to the next project.  Which ended up being a bit of a surprise sewing event due to something of a surprise party invite.  Review to come after I get in a fully decked-out photo shoot.  After that… well, it is a bit up in the air right now, but I have been sorely tempted by quite a few of the patterns in the recent March Burda magazine, so don’t be surprised if a lot of those designs start showing up in the next month.  And egads it is March already!  I have a lot of skating sewing to get done… mostly for other people so there will probably be a lot of sewing but not a lot of showing in the upcoming months.  Hopefully I can squeeze in a few selfish projects as well though – with any luck a few more finished objects to round out my wardrobe will be finding their way to the blog soon!