For an introduction to the Sew Your Kibbe Series, please see this post. The posts in this series are intended to be a well researched and thorough investigation of the Kibbe style recommendations, along with several example patterns for each “level of dress.” The posts in this series will be picture heavy and quite lengthy. As always, you may want some tea.
Introduction
At this point we’ve learned about the 5 basic categories with Kibbe’s Dramatic, Romantic, Classic, Gamine, and Natural. As we delve into the subtypes, I think it is important to remember that these fall into the main type, but with a little bit “extra” yin or yang. For the “soft” categories, I think the bone structure is what determines the main type, and the fleshy features of a person that make them a bit soft. So with this week’s look at Soft Dramatic remember that this is someone who would fit into the Dramatic category (long vertical line and angular), but now with softer yin curves on top of it all. It is about opulence, sweeping drama, and large, ornate shapes. Kibbe’s Soft Dramatic is described as a “Diva Chic.” You can read more about Kibbe’s Soft Dramatic here.
Body Type Characteristics
The following are Kibbe’s descriptions of a Soft Dramatic Body Type:
SOFT DRAMATIC PHYSICAL PROFILE
NOTE: The following information should be taken as a broad outline of what makes a Soft Dramatic. It is the overall combination of bold Yang with a pronounced Yin undercurrent that creates this Image Identity category. Therefore, slight deviation here or there is always possible and should not be worried over if it does not upset your Yin/Yang balance of a bold, exotic physicality that is combined with a powerful sensual essence. Height: Moderate to tall, usually 5 feet 5 inches and over. Body type: Fleshy (unless ultra-thin), particularly through the bust and hip area. Usually have long legs and arms, which can become fleshy in the upper arm and thigh areas without exercise. Usually have moderate-sized waist, which can become thick. Bone structure: Large and angular. Long limbs, and large hands and feet (may be long or narrow, or wide). Facial bones are prominent or sharp (nose, cheekbones, jawline). If your bone structure is narrow (particularly the shoulders, hands, feet, wrists, or angles), you may think of yourself as delicate. This is not true, for the extreme length offsets the narrowness. Facial features: Full, lush, sensual, and exotic. Large eyes, full lips, fleshy cheeks. Hair: Extreme textures. Coarse and wavy, or fine and silky (wispy). Coloring: Any coloring is possible (warm or cool, high-contrast or blended), but a Soft Dramatic is usually distinct, either fair, rich or vivid. If overweight: Heaviness is seen at the fleshiest parts of the body; the bust, hips, waist, thighs, upper arms, and especially in the face. A Soft Dramatic will not:
Have a boyish figure.
Have small hands and feet, or a delicate bone structure.
Be overly petite, or small in stature, with short limbs.
Have delicate or small facial features.
Be symmetrical in body type or facial characteristics.
Recommendations:
The following are Kibbe’s recommendations regarding the clothing and style choices that best suit his Soft Dramatic image ID. The following recommendations will be taken into consideration for each garment type listed below:
SHAPE: Bold geometrics with soft edges. Oversized ornate shapes.
FABRIC: Lightweight fabrics that drape easily and flow gracefully (silks, crepe, challis, handkerchief linen, jersey). Soft and plush textures with a deep pile. Shiny fabrics.
Avoid: Heavy fabrics that create a stiff shape. Rough textures.
DETAIL: Bold, oversized, and ornate. Broad shoulders (pads with soft edges are best). Soft, draped necklines (may be high or plunging). Lavish trim (beading, appliqué, oversized bows and jabots, deep and soft pleats of folds, etc.)
Avoid: Small, delicate detail. Sharp, severe, or crisp detail. Minimal, simple, or plain detail. Symmetrical detail.
SEPARATES: Your separates should artfully blend lush textures, rich colors, and luxurious prints, so your elongated line will not be disrupted. You are always striving for a head-to-toe “ensemble” effect, never a mix-and-match look!
COLOR: Your use of color should always be bold and dramatic, never dull. You shine in original color combinations that emphasize bright/dark mixtures. Pastels can be extremely elegant if you execute them in head-to-toe sweeps. Monochromatic schemes will generally require some vivid accenting in the accessory department. Strive for a very polished, ensemble approach to your use of a palette.
Avoid: Multicolor splashes and mix ‘n match approach.
PRINTS: Bold, wild, and ornate shapes. Splashy watercolors. Oversized and abstract florals. Animal prints. Irregular shapes with soft or rounded edges.
Shoes: Tailored and angular with tapered toe and heel. High, narrow heels are best. Bare styles also excellent.
Avoid: Chunky styles. Overly delicate styles with excess trim.
Bags: Softly rounded shapes in over-sized styles. Exquisite leather or fabric. Very slim briefcases. Ultra-ornate evening styles.
Avoid: Plain, symmetrical bags and small, delicate styles.
Belts: Should be bold and wide, of supple leather or special fabric, with large and ornate buckles.
Hats: Should always be theatrical and glamorous, emphasizing rounded shapes and ornate trim. Should be large and oversized.
Hosiery: Keep you stockings ultra-sheer. Your strong vertical line is best emphasized by blending with both your hemline and your shoe. Always blend with the shoe. Very lacy or ornate textures are wonderful for evening.
Jewelry: Should always be large, bold and ornate. Bold geometric shapes with soft edges. Oversized, ornate shapes. All sparkly, glittery, and shiny finishes are excellent. Wild costume jewelry that is obviously faux.
For the individual garment types, obviously, I will be focusing on the lines of the garment, as fabric and color choices would easily be controlled by the home sewer. It’s nice that he included a long list of acceptable fabrics though!
Jackets: Broad shoulders, long lines (mid-thigh area). Lightweight, draped fabrics. Lightly structured or unconstructed. Soft draped detail (lapels, pockets, etc.)
Avoid: Stiffly tailored jackets with sharp edges. Traditional blazer jackets. Short, cropped jackets. Delicate, fitted, or fussy jackets.
Coats – Level 1: The Level 1 coats use the unconstructed/lightly structured recommendation quite liberally.
Coats – Level 2: For level 2 there is slightly more tailoring/construction, but many of the same features as in Level 1.
Coats – Level 3: Soft Dramatics get really fabulous Level 3 looks; they are one of the style IDs that is really hard to dress down, but they get to have a lot of fun when it comes time to dress up!
Jackets – Level 1: Level 1 is a bit hard for the Soft Dramatic, but I think by focusing on oversized, ornate detail, even in casual clothes, it is possible.
Jackets – Level 2: Trying to avoid blazers is a bit tricky at this level, but I think I found a few that skirt the “traditional” line and should work for a Soft Dramatic.
Jackets – Level 3: There are a lot of fun styles for Soft Dramatics.
Skirts: Skirts should be straight, long (mid calf) and draped. Short skirts (knee length) may be paired with a long jacket, sweater or top. Detail should be elongated (shirring, soft folds and slits).
Avoid: Full skirts except on certain dresses (see dress category). Wide, unconstructed skirts. A-lines and sharp pleats. Overly fussy and fitted skirts with delicate detail (gathers, tucks, etc.; plackets, etc.)
Level 1: Kibbe’s recommendations work well for Level 1 skirts; it’s easy to find a lot of knit patterns that work within these specifications but still give a very casual feel.
Level 2: The Level 2 skirts have a bit more structure, but display many of the same features as the Level 1 options.
Level 3:Soft Dramatics have a lot of fabulous Level 3 options. You get to play with fun, ornate, and largely rounded details and shapes.
Pants: Pants should be straight, long and draped. Detail should be soft and elongated (deep pleats, shirring, softly draped).
Avoid stiffly tailored pants. Wide, unconstructed or baggy shapes. Overly delicate detail (pegged legs, fussy gathers, small trim, etc.).
Level 1: As with the skirts, the Level 1 trousers for Soft Dramatics are a bit less tailored and would be easy to make in a nice knit or soft woven.
Level 2: The Level 2 styles are bit more structured, with more traditional tailoring details, but still have a relatively soft silhouette.
Level 3: I did not pick a lot of Level 3 trousers because I think Soft Dramatics just look so great in ornate gowns and dresses, but I do think a lot of the recent jumpsuit styles would look very Level 3 appropriate on a Soft Dramatic because it creates that long vertical line automatically.
Blouses: Blouses should be soft and draped with broad shoulders and draped necklines and sleeves. Detail should be elongated and soft. Ornate detail should be very oversized and lush (large bows, or jabots, sheer lacy trim or sparkly appliqué) Fabrics should be lightweight, very soft, or very shiny.
Level 1: There are a lot of options for Soft Dramatic tops, especially in the current trend of oversized knits and chiffon styles. For the tops, fabric choice will be key to designate the level, and it is important to remember that Kibbe recommends blouses look part of the whole outfit, because Soft Dramatics still need to think about maintaining a vertical line.
Level 2: These styles tend to have a bit more office appropriate/traditional blouse type features, but there are a few fun date night looks thrown in as well.
Level 3: For Level 3 we get even more enlarged, ornate shapes and fancy fabrics.
Sweaters: Soft and clingy knits with draped necklines. Plush knits. Draped knits. Broad shoulders and an elongated waist. Oversized patterns or trim, especially ornate or sparkly.
Avoid: Rough and heavy knits. Skinny, ribbed knits. Short styles, including crew-necked, shetlands, cardigans, and cropped sweaters. Wide, unconstructed styles. Overly delicate, fussy trim. Overly fitted styles.
Level 1: I think there are a lot of great sweater options for Soft Dramatics in recent years.
Level 2: The Level 2 sweaters have a bit more detail and a bit more shape.
Level 3: I found some rather Diva appropriate cover ups. The may not fall in line with the sweater suggestions exactly, but I thought they should be included.
Dresses: Dresses should be elongated and draped, with broad shoulders. Detail should be oversized and ornate (shirring, trim, etc.) A dropped waist is best on dresses, but an exaggerated waist is also effective when combined with very broad shoulders and a full, sweeping skirt. Narrow, clingy shapes are basic.
Avoid: Sharply tailored dresses. Shapeless, unconstructed or wide styles. Flouncy styles with delicate or fussy detail. Overly fitted and nipped styles.
Level 1: Dresses are the easiest patterns to find for Soft Dramatic. I had to cut out over half of my options because otherwise this post would have been waaaaaaay too long, but that does mean we are looking at the best of the best! Level 1 styles for a Soft Dramatic will look a bit fancier than for some other style IDs, but on a Soft Dramatic they will read as casual. We will definitely ramp up the glamor as we move into the higher levels.
Level 2: Level 2 is interesting, because I think the styling will be important to designate these as being more elevated looks. It is a bit tricky to find styles that seem office appropriate and still have all the details necessary, but there are some good options out there.
Level 3: Now we are really getting into it! There are so many fabulous Level 3 dress styles for Soft Dramatics!
Evening Wear: Clingy shapes. Shoulder emphasis (which you already have). Cleavage emphasis. Soft, draped fabric. Glitzy fabric. Ornate and oversized trim.
Draped gowns. Form-fitting gowns with shoulder emphasis and cleavage. Shirred cocktail dresses with big shoulders. Oversized dinner suits with elaborate trim.
Because we didn’t have enough pretty dresses in the Level 3 styles, I found even more opulent options for our Diva Chic style ID.
And that’s it! Another Style ID down. I hope that this first look at the subtypes is helpful for understanding why they need to exist in Kibbe’s system. The soft draping in these styles would not work well on a Dramatic – it isn’t angular enough – but the scale of these details is far too large for a more delicate Romantic type. I think we will also start to understand a bit more how the system is a spectrum; many of these looks will reappear in the Flamboyant Natural category, or already showed up in the Natural post. Kibbe has said clothes don’t have a Style ID, and I think that is true to some extent. There were certainly looks here that would be hard pressed to fit into another category (like that yellow Burda Plus dress with the fabulous oversized ruffle detail), but there are others that could work well for many different style IDs.
I mentioned in my post on the Natural type that I felt Burda really designed preferentially in that aesthetic, and I have to say I feel the same about Vogue and Soft Dramatic. It makes sense; Vogue really is supposed to be that high fashion style that lends itself well to large scale drama and opulence. Burda also has a lot to offer Soft Dramatic types, but I think the percentage of styles that will work for Soft Dramatic is actually higher from Vogue. Of course, there are looks that work from all of the Big 4, but if you are a Soft Dramatic, you really should take a good look through Vogue’s catalog to see if there is anything you might want for your pattern stash.
On a personal side note, I think this is probably my aspirational Kibbe type. I think we all have one – that style ID you wish you had. I don’t think I’m much of a Diva, in appearance or personality wise, and I certainly lack any sort of angularity in my bone structure to even entertain the idea of being Soft Dramatic, but I love these oversized, organic, softly draped shapes. In hindsight, I’ve actually made quite a few styles from both my pattern picks for the Natural recommendations and the Soft Dramatic recommendations (how I ever thought I was a Soft Classic I may never know), and while I have to say I think the Natural styles are my more successful, I also think it is interesting how I’ve sort of intuitively been sewing styles that can bleed into my own style ID (Soft Natural) so easily. I can also say that the pieces from this post that I’ve made have worked much better for me when I styled them in a “Natural” way (by utilizing mix and match separates) rather than in a Soft Dramatic way (creating a harmonious look from top to bottom). So I think that’s one way in which I can still utilize pieces from my “aspirational ID” in making looks for my “real ID.” Of course, my goal is really to focus on patterns that should have a higher success rate for me, and these Soft Dramatic looks can sometimes feel too much, but I think pulling some frosting pieces from this list might not be the worst idea to keep my sewing inspired.
Coming Next Week: This week we examined what happened when we applied yin softness on top of a yang bone structure to get Soft Dramatic. Next week we will reverse things and see what happens when yang features appear on a yin structure as we examine Kibbe’s Theatrical Romantic!
May I say that your research is tremendous and I find this such an interesting reflection! I noted many patterns here that I have seen and liked in the past or even made (e.g. Burda 110 12/2015, although I made the shorter version of that pattern, not the floor-length one). I have a beautiful skirt (purchased) with front drape that I love and wear, but that, too, has never felt like it worked for me. Likewise, I like wide-legged trousers, which can sort of work on me as I am reasonably long-legged, but that I still feel overwhelm me somewhat. I’m often attracted to tops with drape or full or soft sleeves, but in practice they are also too much for me. I’m fairly confident after doing my analysis that I am closest to a classic (although I’m still not sure of the sub-type as I have elements of dramatic and soft). Your notes at the end confirm how difficult it can be for us to focus in on what suits us best, and how much time it can take to understand this. Thanks again! PS I agree re. the aspirational archetype. I’ve always wanted to be a gamine, which I’ve attempted to do with short hair cuts. 🙂
Thanks! I think the first thing that really tipped me off that I might not be a Classic was when I put on a button up shirt and took it off because it felt too constraining. I mean, I do wear button ups for more formal (Level 2 shall we say?) occasions, but for my typical casual work day it felt way too stiff and confined. I think I look good in a suit (I mean, I think most people do), but I always feel like I’m wearing a costume to some extent. The suit is the focus and I just happen to be in it. Probably another good indication that I’m not a classic. I agree that it can take a while to understand this feeling of what is “me” as opposed to, that looks cool and I like it, especially when you are wearing a prescribed work uniform on a daily basis. Doing this series I feel like I’ve learned a lot, and I hope it will help me make better purchases/plans/sewing goals in the future, because it’s really helping me focus on what works for me, as opposed to what I wish worked for me.
That’s so funny as I usually take off blouses and put on crisp, fairly fitted button downs. I also look great in a suit. Oh well, we live and learn, don’t we? 🙂 I do think this series will be of great service to many readers. I know it is helping to shape my winter sewing plans. I think you stated the problem that we face very well: “looks cool and I like it.” I find that is the curse of an open mind, for all of its pluses.
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I think this is me, too. I was laughing when I was looking at the coat selection and found my me-made Vogue coat from Sandra Betzina on there. I also have sewn up a few other items in your list of pattern picks. I feel this works for me because while I have a “romantic” body type I am not Romantic at all in personality or behavior – I am more into the drama and edge.
I think that’s why it is so important to look at all of the subtypes and not just the main types. I am not Romantic at all (far too delicate for me), but I definitely have overtones of the Romantic softness in me. I also much prefer dramatic looks to soft ones in general.
Beautiful! So, so beautiful. And if I go through my Burdas I’ll probably find at least half of these patterns with my little tags stuck to the pages. Clearly I’m having a love affair with this type too. It will be interesting to see if there is much overlap between Soft Dramatic and Dramatic Classic. I expect the ruffles will be gone and maybe there will be more of a minimalistic approach to the geometry. But not quite as minimal as Classic. It’s hard to picture. 🤔
The Dramatic Classic is going to lose some of the oversized and ornately curved details when compared to a Soft Dramatic. But you are correct in that there will be more detail than we saw with the straight Classic type. Dramatic Classic will be coming up soon; it will be a lot easier to compare then!
I originally thought I was soft dramatic as I am fairly tall (5ft 8″) but I think I’m now leaning towards soft classic as they are the types of clothes I seem to wear most. I have recently made some culottes (Butterick 6178 view d) which I have been wearing with a pussybow blouse and I LOVE! I’m now making Burda 02-2017-104 which you made and I was inspired to try after seeing yours and the success of my first pair. Kibbe doesn’t seem to mention culottes, which body type do you think suits them best?
Kibbe does mention culottes as a suggestion for his Natural type. If Soft Dramatic isn’t your style you might also consider one of the Natural subtypes, which need the sort of movement in clothes that a pussybow blouse and culottes would provide. I’m not ruling out Soft Classic, but if I were you I’d also look at the descriptions for Naturals.
That’s interesting…I had discounted Naturals as I don’t have broad shoulders or narrower hips and am more hourglass than anything else. I also don’t look good in anything baggy with no waist definition. I think what confuses me most is my face doesn’t fit in with what I thought my body type was. It is soft and roundish (small head) with high cheekbones, large eyes, thick eyebrows, a sharper nose, a little chin bonewise but its double and a long neck. People always think I look younger than I am so quite baby faced. Anyway thank you for this excellent series, it is fascinating and so well-researched. It must take you hours! I also love your Burdastyle reviews and look forward to them every month.
I originally thought I was Soft Classic because I’d initially discounted Naturals for exactly the same reason. I’ve always felt I looked awful without waist definition, my shoulders have always felt too narrow to carry bags, and I’m definitely wider in the hips than I am in the shoulders. However, Kibbe’s main recommendation for Soft Naturals is waist definition – it is very unique from the other two Natural types in that way – and this really helps add the extra definition that makes the Soft Natural type really work for me. Now when I really try to see the bone structure and not just the whole picture with what’s on top I can see the bluntness of my bones. I definitely don’t have the softly sloping shoulders that my sister does (she is a Romantic). Anyway, I’m sort of rambling now, but I guess what I’m getting at is that you may want to consider Soft Natural in addition to Soft Classic. A good way to tell the difference may be in a use of separates – if you look great in mix-n-match sorts of pieces, then Soft Natural might be the sweet spot. If you need a head-to-toe look, then Soft Classic is probably the better option.
Thank you! I’ll look forward to seeing your Soft Naturals post! I do wear different coloured separates so that may be the way to go. On the other hand I like dresses and a classic look so maybe a bit of both would be OK. 😊
Merriam Style just posted a video dedicated to Soft Naturals – I think it’s pretty great because she shows how you can look “sexy,” “elegant,” or “business professional” all within the Soft Natural recommendations. In this same vein I think it’s totally possible for any style ID to look “classic” in the timeless style sense without being Classic in the Kibbe ID sense.
Fascinating. So far, after the descriptions, I’m absolutely a Dramatic (except for facial features), down to the long fingers, long legs and torso, long everything. Being 56 yrs, the weight is going right where Kibbe says it would (happily, it’s only a few pounds). However, the soft Dramatic isn’t my thing, for sure, though there are SO MANY lovely patterns! Can’t wait to see the Dramatic Classic.
This series you are doing is currently helping me choosing my winter sewing patterns, and is motivating me to finish a denim pencil skirt based on the Dramatic post, to see how it goes.
You realize you’ll have to pin all these posts somewhere for easy – and repeated – access for everyone? You may have created a monster… ♥
I did create an entry for them on my Wardrobe Planning page (from the drop down menu at the top) but I may want to reorganize my pages a bit after this as well. I’ve been wanting to do a bit of a blog overhaul/facelift for a while, but it’s on the back burner until this series is done, for obvious reasons.
The amount of time you have put into this is astounding! No where else have I seen this amount of detail especially in relation to sewing your own Kibbe wardrobe. I have been very intrigued by this Kibbe system and look forward to your next installment as soon as I finish reading the current one. I read with the intent of finding my style but I am so confused, lol. I can’t seem to understand Kibbe wording for his types as it relates to plus size. Being 6′, large hands and feet and on the larger end of plus sizing and having never been “thin” I have yet to nail down a specific style that feels like me. Maybe we will get to see a devoted post to Kibbe and plus size? pretty please! 🙂
Ah, that’s a good idea! I’ll add that to my list of follow up posts I want to do.
What I will say is that in the body descriptions, Kibbe does mention where excess weight will go, and I did use that as a clue to realize I’m not a Soft Classic (his descriptions there are frighteningly accurate I think). Also, I do try to include at least a few Burda Plus patterns in each category if I can. I realize Burda isn’t the most inclusive sizing, but of the mainstream pattern companies it does have the most regular release of Plus patterns, which is why I mainly use their style for examples in these posts.
As to finding you type, have you seen the introduction post? I’m pretty sure I included links to the Kibbe Quiz and videos explaining the types there. I think those materials can help you narrow down your type. At 6’ my first instinct is either Dramatic, Soft Dramatic, Natural, or Flamboyant Natural. I totally get why being Plus sized makes it tricky to narrow down a type (it’s why I had issues typing myself for sure), but there are still things you can do. Are your facial features more angular, narrow, or widely set? Try Dramatic or Flamboyant Natural. Are you more rounded and soft in the features? Look at Soft Dramatic. Is it a bit more balanced? Try the Natural type. I hope these suggestions help!
I just wanted to say that I’ve been super impressed (and very happy!) with your mix of Burda and Burda Plus patterns. In discussions about ‘inspo boards’ on places like r/femalefashionadvice, there are a lot of feelings about the importance of representation (plus sizes, women of colour, etc.) and/or if they are primarily ‘aspirational’ – which often means thin and very beautiful.
You’ve done an amazing job with this series. Kudos and many thanks!
The height is an interesting question in Kibbe! I was initially stuck on those height categories, because if you take Kibbe’s numbers as gospel, you would have to assume that anyone over 5’9″ automatically becomes pure Yang. Which leaves out all of us tall people with delicate features and/or rounded curves. So I finally decided that just like all the other aspects of Kibbe, height is just a piece of the bigger picture.
I very much agree! Height is only once piece of the picture, and I think there is a lot of variability with that component. Taller people *tend* to be on the yang side of the spectrum, but it doesn’t lock you into any one category, and softer features definitely put you into a type that’s not pure Dramatic.
Oh wow, I used to work with someone who was the archetypical Soft Dramatic and now I want to send her this post because she would look amazing in all of these.
I’ve sewn a few of these myself and own quite a few more, although I’m definitely a regular Dramatic. I’m a sucker for a dramatic collar.
Interesting what you say about this being Vogue’s core style, I think that’s why I love them so much.
It is a bit funny, but even the Big 4 still have their style preferences. I too am a sucker for a dramatic collar, probably why I love Soft Dramatic so much!
I’m a Natural (not sure what subtype), and I’m fascinated by the overlap between Natural and Soft Dramatic. Garments that would be definite statement pieces for me seem to be Level 1 for the Soft Dramatic. Which would explain my SD friend who seems to think I’m perpetually underdressed – unless I’m in something that feels like I’m wearing a “Look At Me!” placard. Then she’s happy I’m finally ‘office appropriate’. 🙂
That does seem to be the perpetual struggle! Naturals and Classics both have to be wary of doing “too much” whereas I think Soft Dramatic, Theatrical Romantic, and Gamine types struggle with having “not enough” detail.
Brilliant post! Thank you so much for all the hard work that went into it.
Like you, I think I’ve always wanted to be able to dress soft Dramatic and look right in it. I do still try out that vintage vamp vibe, and while it doesn’t look awful on me, I’ve long realised that it has a tendency to make me look scrawny. I just don’t have the soft yin flesh needed to make it look right. It’s not going to stop me going for a bit of rockabilly glam in my sewing, but I am definitely getting a better idea of how to include the soft dramatic elements that will work for me. Interesting collars are always good, as are the overall silhouettes which match quite nicely with classic dramatic. Looking forward to your next post!
I do love glamour. I’ve bought a few of these but have me er felt confident to pull off. I love, love, the rose sleeves on the vogue dress! And the ruffles on Vogue 1413… it was all I could do to keep from buying,but I knew if I made it I’d have to scale it down and well…it wouldn’t be the same. Sigh……
As a 6’3″ mother of 5, I really struggle to look “right.” I kept trying to wear FN since I found Kibbe types, but it absolutely looks terrible on me. I keep getting mistaken for a transvestite. Not what a female wants to hear! I really resonate with SD though! Yang body and yin flesh. Can’t wait to get some SD clothes!
Your posts are so well constructed and your explenations so clear. I fell down the Kibbe Types rabbit hole, but I wouldn’t have stuck around if it weren’t for your blog. With the help of some friends, I was typed SD. I was so overwhelmed by pinterest boards of women in revealing clothes, or Kibbe’s advice, which can be cryptic for someone that doesn’t know much about sewing (like me). You have excelent taste! And I appreciate the explanation of why each pattern complies with the lines. After the fourth time reading this, I think I’m getting the gist. Thanks so much for sharing!
Would you mind if I made a compacted guide and used your patterns as visual aid? Only to share in a SD group, for easier consultation when shopping. With a link to your blog and your name credited of course. (It’s alright if you prefer not)
Of course! I would be happy if the information were passed along to anyone who would find it helpful. The patterns aren’t designed by me just as an FYI – they are commercial patterns from major vendors, so I don’t have the rights to those images, but sharing them as part of an educational resource should be fine (that’s why I feel able to post them on my blog – either as an educational reference or as part of a review).
May I say that your research is tremendous and I find this such an interesting reflection! I noted many patterns here that I have seen and liked in the past or even made (e.g. Burda 110 12/2015, although I made the shorter version of that pattern, not the floor-length one). I have a beautiful skirt (purchased) with front drape that I love and wear, but that, too, has never felt like it worked for me. Likewise, I like wide-legged trousers, which can sort of work on me as I am reasonably long-legged, but that I still feel overwhelm me somewhat. I’m often attracted to tops with drape or full or soft sleeves, but in practice they are also too much for me. I’m fairly confident after doing my analysis that I am closest to a classic (although I’m still not sure of the sub-type as I have elements of dramatic and soft). Your notes at the end confirm how difficult it can be for us to focus in on what suits us best, and how much time it can take to understand this. Thanks again! PS I agree re. the aspirational archetype. I’ve always wanted to be a gamine, which I’ve attempted to do with short hair cuts. 🙂
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Thanks! I think the first thing that really tipped me off that I might not be a Classic was when I put on a button up shirt and took it off because it felt too constraining. I mean, I do wear button ups for more formal (Level 2 shall we say?) occasions, but for my typical casual work day it felt way too stiff and confined. I think I look good in a suit (I mean, I think most people do), but I always feel like I’m wearing a costume to some extent. The suit is the focus and I just happen to be in it. Probably another good indication that I’m not a classic. I agree that it can take a while to understand this feeling of what is “me” as opposed to, that looks cool and I like it, especially when you are wearing a prescribed work uniform on a daily basis. Doing this series I feel like I’ve learned a lot, and I hope it will help me make better purchases/plans/sewing goals in the future, because it’s really helping me focus on what works for me, as opposed to what I wish worked for me.
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That’s so funny as I usually take off blouses and put on crisp, fairly fitted button downs. I also look great in a suit. Oh well, we live and learn, don’t we? 🙂 I do think this series will be of great service to many readers. I know it is helping to shape my winter sewing plans. I think you stated the problem that we face very well: “looks cool and I like it.” I find that is the curse of an open mind, for all of its pluses.
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I think this is me, too. I was laughing when I was looking at the coat selection and found my me-made Vogue coat from Sandra Betzina on there. I also have sewn up a few other items in your list of pattern picks. I feel this works for me because while I have a “romantic” body type I am not Romantic at all in personality or behavior – I am more into the drama and edge.
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I think that’s why it is so important to look at all of the subtypes and not just the main types. I am not Romantic at all (far too delicate for me), but I definitely have overtones of the Romantic softness in me. I also much prefer dramatic looks to soft ones in general.
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Beautiful! So, so beautiful. And if I go through my Burdas I’ll probably find at least half of these patterns with my little tags stuck to the pages. Clearly I’m having a love affair with this type too. It will be interesting to see if there is much overlap between Soft Dramatic and Dramatic Classic. I expect the ruffles will be gone and maybe there will be more of a minimalistic approach to the geometry. But not quite as minimal as Classic. It’s hard to picture. 🤔
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The Dramatic Classic is going to lose some of the oversized and ornately curved details when compared to a Soft Dramatic. But you are correct in that there will be more detail than we saw with the straight Classic type. Dramatic Classic will be coming up soon; it will be a lot easier to compare then!
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I originally thought I was soft dramatic as I am fairly tall (5ft 8″) but I think I’m now leaning towards soft classic as they are the types of clothes I seem to wear most. I have recently made some culottes (Butterick 6178 view d) which I have been wearing with a pussybow blouse and I LOVE! I’m now making Burda 02-2017-104 which you made and I was inspired to try after seeing yours and the success of my first pair. Kibbe doesn’t seem to mention culottes, which body type do you think suits them best?
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Kibbe does mention culottes as a suggestion for his Natural type. If Soft Dramatic isn’t your style you might also consider one of the Natural subtypes, which need the sort of movement in clothes that a pussybow blouse and culottes would provide. I’m not ruling out Soft Classic, but if I were you I’d also look at the descriptions for Naturals.
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That’s interesting…I had discounted Naturals as I don’t have broad shoulders or narrower hips and am more hourglass than anything else. I also don’t look good in anything baggy with no waist definition. I think what confuses me most is my face doesn’t fit in with what I thought my body type was. It is soft and roundish (small head) with high cheekbones, large eyes, thick eyebrows, a sharper nose, a little chin bonewise but its double and a long neck. People always think I look younger than I am so quite baby faced. Anyway thank you for this excellent series, it is fascinating and so well-researched. It must take you hours! I also love your Burdastyle reviews and look forward to them every month.
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I originally thought I was Soft Classic because I’d initially discounted Naturals for exactly the same reason. I’ve always felt I looked awful without waist definition, my shoulders have always felt too narrow to carry bags, and I’m definitely wider in the hips than I am in the shoulders. However, Kibbe’s main recommendation for Soft Naturals is waist definition – it is very unique from the other two Natural types in that way – and this really helps add the extra definition that makes the Soft Natural type really work for me. Now when I really try to see the bone structure and not just the whole picture with what’s on top I can see the bluntness of my bones. I definitely don’t have the softly sloping shoulders that my sister does (she is a Romantic). Anyway, I’m sort of rambling now, but I guess what I’m getting at is that you may want to consider Soft Natural in addition to Soft Classic. A good way to tell the difference may be in a use of separates – if you look great in mix-n-match sorts of pieces, then Soft Natural might be the sweet spot. If you need a head-to-toe look, then Soft Classic is probably the better option.
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I forgot to say also thin lips!
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Thank you! I’ll look forward to seeing your Soft Naturals post! I do wear different coloured separates so that may be the way to go. On the other hand I like dresses and a classic look so maybe a bit of both would be OK. 😊
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Merriam Style just posted a video dedicated to Soft Naturals – I think it’s pretty great because she shows how you can look “sexy,” “elegant,” or “business professional” all within the Soft Natural recommendations. In this same vein I think it’s totally possible for any style ID to look “classic” in the timeless style sense without being Classic in the Kibbe ID sense.
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Fascinating. So far, after the descriptions, I’m absolutely a Dramatic (except for facial features), down to the long fingers, long legs and torso, long everything. Being 56 yrs, the weight is going right where Kibbe says it would (happily, it’s only a few pounds). However, the soft Dramatic isn’t my thing, for sure, though there are SO MANY lovely patterns! Can’t wait to see the Dramatic Classic.
This series you are doing is currently helping me choosing my winter sewing patterns, and is motivating me to finish a denim pencil skirt based on the Dramatic post, to see how it goes.
You realize you’ll have to pin all these posts somewhere for easy – and repeated – access for everyone? You may have created a monster… ♥
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I did create an entry for them on my Wardrobe Planning page (from the drop down menu at the top) but I may want to reorganize my pages a bit after this as well. I’ve been wanting to do a bit of a blog overhaul/facelift for a while, but it’s on the back burner until this series is done, for obvious reasons.
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Just thinking about the amount of work you have put into this FANTASTIC series overwhelms me. You are amazing.
Some of these I like, but most look too fussy.
As always, thank you!
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The amount of time you have put into this is astounding! No where else have I seen this amount of detail especially in relation to sewing your own Kibbe wardrobe. I have been very intrigued by this Kibbe system and look forward to your next installment as soon as I finish reading the current one. I read with the intent of finding my style but I am so confused, lol. I can’t seem to understand Kibbe wording for his types as it relates to plus size. Being 6′, large hands and feet and on the larger end of plus sizing and having never been “thin” I have yet to nail down a specific style that feels like me. Maybe we will get to see a devoted post to Kibbe and plus size? pretty please! 🙂
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Ah, that’s a good idea! I’ll add that to my list of follow up posts I want to do.
What I will say is that in the body descriptions, Kibbe does mention where excess weight will go, and I did use that as a clue to realize I’m not a Soft Classic (his descriptions there are frighteningly accurate I think). Also, I do try to include at least a few Burda Plus patterns in each category if I can. I realize Burda isn’t the most inclusive sizing, but of the mainstream pattern companies it does have the most regular release of Plus patterns, which is why I mainly use their style for examples in these posts.
As to finding you type, have you seen the introduction post? I’m pretty sure I included links to the Kibbe Quiz and videos explaining the types there. I think those materials can help you narrow down your type. At 6’ my first instinct is either Dramatic, Soft Dramatic, Natural, or Flamboyant Natural. I totally get why being Plus sized makes it tricky to narrow down a type (it’s why I had issues typing myself for sure), but there are still things you can do. Are your facial features more angular, narrow, or widely set? Try Dramatic or Flamboyant Natural. Are you more rounded and soft in the features? Look at Soft Dramatic. Is it a bit more balanced? Try the Natural type. I hope these suggestions help!
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Thank you for your reply, and yes I will go back to those beginning posts and try the quiz again.
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I just wanted to say that I’ve been super impressed (and very happy!) with your mix of Burda and Burda Plus patterns. In discussions about ‘inspo boards’ on places like r/femalefashionadvice, there are a lot of feelings about the importance of representation (plus sizes, women of colour, etc.) and/or if they are primarily ‘aspirational’ – which often means thin and very beautiful.
You’ve done an amazing job with this series. Kudos and many thanks!
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The height is an interesting question in Kibbe! I was initially stuck on those height categories, because if you take Kibbe’s numbers as gospel, you would have to assume that anyone over 5’9″ automatically becomes pure Yang. Which leaves out all of us tall people with delicate features and/or rounded curves. So I finally decided that just like all the other aspects of Kibbe, height is just a piece of the bigger picture.
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I very much agree! Height is only once piece of the picture, and I think there is a lot of variability with that component. Taller people *tend* to be on the yang side of the spectrum, but it doesn’t lock you into any one category, and softer features definitely put you into a type that’s not pure Dramatic.
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Oh wow, I used to work with someone who was the archetypical Soft Dramatic and now I want to send her this post because she would look amazing in all of these.
I’ve sewn a few of these myself and own quite a few more, although I’m definitely a regular Dramatic. I’m a sucker for a dramatic collar.
Interesting what you say about this being Vogue’s core style, I think that’s why I love them so much.
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It is a bit funny, but even the Big 4 still have their style preferences. I too am a sucker for a dramatic collar, probably why I love Soft Dramatic so much!
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I’m a Natural (not sure what subtype), and I’m fascinated by the overlap between Natural and Soft Dramatic. Garments that would be definite statement pieces for me seem to be Level 1 for the Soft Dramatic. Which would explain my SD friend who seems to think I’m perpetually underdressed – unless I’m in something that feels like I’m wearing a “Look At Me!” placard. Then she’s happy I’m finally ‘office appropriate’. 🙂
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That does seem to be the perpetual struggle! Naturals and Classics both have to be wary of doing “too much” whereas I think Soft Dramatic, Theatrical Romantic, and Gamine types struggle with having “not enough” detail.
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Brilliant post! Thank you so much for all the hard work that went into it.
Like you, I think I’ve always wanted to be able to dress soft Dramatic and look right in it. I do still try out that vintage vamp vibe, and while it doesn’t look awful on me, I’ve long realised that it has a tendency to make me look scrawny. I just don’t have the soft yin flesh needed to make it look right. It’s not going to stop me going for a bit of rockabilly glam in my sewing, but I am definitely getting a better idea of how to include the soft dramatic elements that will work for me. Interesting collars are always good, as are the overall silhouettes which match quite nicely with classic dramatic. Looking forward to your next post!
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I do love glamour. I’ve bought a few of these but have me er felt confident to pull off. I love, love, the rose sleeves on the vogue dress! And the ruffles on Vogue 1413… it was all I could do to keep from buying,but I knew if I made it I’d have to scale it down and well…it wouldn’t be the same. Sigh……
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As a 6’3″ mother of 5, I really struggle to look “right.” I kept trying to wear FN since I found Kibbe types, but it absolutely looks terrible on me. I keep getting mistaken for a transvestite. Not what a female wants to hear! I really resonate with SD though! Yang body and yin flesh. Can’t wait to get some SD clothes!
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I love SD styles! It’ll be so fun to play with those guidelines. Good luck on your style journey!
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Your posts are so well constructed and your explenations so clear. I fell down the Kibbe Types rabbit hole, but I wouldn’t have stuck around if it weren’t for your blog. With the help of some friends, I was typed SD. I was so overwhelmed by pinterest boards of women in revealing clothes, or Kibbe’s advice, which can be cryptic for someone that doesn’t know much about sewing (like me). You have excelent taste! And I appreciate the explanation of why each pattern complies with the lines. After the fourth time reading this, I think I’m getting the gist. Thanks so much for sharing!
Would you mind if I made a compacted guide and used your patterns as visual aid? Only to share in a SD group, for easier consultation when shopping. With a link to your blog and your name credited of course. (It’s alright if you prefer not)
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Of course! I would be happy if the information were passed along to anyone who would find it helpful. The patterns aren’t designed by me just as an FYI – they are commercial patterns from major vendors, so I don’t have the rights to those images, but sharing them as part of an educational resource should be fine (that’s why I feel able to post them on my blog – either as an educational reference or as part of a review).
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