For an introduction to the Sew Your Kibbe Series, please see this post. The posts in this series are intended to be a well researched and thorough investigation of the Kibbe style recommendations, along with several example patterns for each “level of dress.” The posts in this series will be picture heavy and quite lengthy. You may want some tea.
Introduction
After last week’s post about Kibbe’s Dramatic, I thought it would be good to move to the opposite side of the spectrum, the Romantic. In a direct contrast to the Dramatic, Kibbe’s Romantic is the pure yin, all soft shapes, curves, and ornate detail. Kibbe’s Romantic is described as a “Dreamspinner.” You can read more about Kibbe’s Romantic here.
Body Type Characteristics
The following are Kibbe’s descriptions of a Romantic Body Type:
ROMANTIC PHYSICAL PROFILE
NOTE: The following information should be taken as a broad outline of what makes a Romantic. It is the overall combination of extreme, soft Yin (soft physicality and magnetic essence) that creates this Image Identity category. Therefore, slight deviation here or there is always possible and should not be worried over if it does not upset your Yin/Yang balance. Height: Moderate to petite, usually 5’5″ and under. Body type: Soft and voluptuous. Hourglass figure; curvy (bustline and hips, with a small waist (in proportion to the curves). Fleshy arms and legs. Bone structure: Delicate and smallish. Usually to the wide side. Rounded or sloped shoulders. Small hand and feet (may be slightly wide). Facial bones are small, delicate and may be slightly wide or lush (nose, cheekbones, jawline). If your bone structure is slightly wide or lush, you may think of yourself as having a large bone structure. This is actually decdeving to you, for the shortness of your limbs and extremities (hand and feet) offsets the width. In context of your overall voluptuous figure, your bone structure is definitely delicate. Facial features: Lush; full, and sensual (rounded). Large, luminous eyes. Full lips. Fleshy cheeks. Hair: Soft and luxurious. May be silky and wispy, or thick and wavy/curly. Coloring: Any coloring (warm or cool, high-contrast or blended) is possible but a Romantic usually has a delicate skin tone that is luminous or translucent. If overweight: The body only gets more rounded; the face gets very full. A Romantic will not:
Be extremely tall
Have a large bone structure or large hands and feet
Have a straight or boyish figure
Have angular or sharp facial features
Have a prominent nose or angular chin
Be symmetrical
Recommendations:
The following are Kibbe’s recommendations regarding the clothing and style choices that best suit his Romantic image ID. The following recommendations will be taken into consideration for each garment type listed below:
SHAPE: Shape is the key to your look! Whatever mood you want to express, in whatever situation your find yourself–work, play, or glamour–keep your shapes rounded with soft edges! Circles, ornate swirls, and intricate flowing shapes are the direct expression of your extreme Yin. Soft bouffants are also acceptable. Always maintain the hourglass figure!
Avoid: All straight lines. All sharp edges. All geometrics.
LINE AND SILHOUETTE: Second only to shape in importance, your outline should always be soft and flowing silhouettes that showcase the lush curves of your body. Waste definition is essential, always, as is lots of gentle draping everywhere.
Avoid: All severe silhouettes. All tailored silhouettes. All straight lines with angular edges. All vertical lines that hid the waist. All unconstructed, boxy, or horizontal lines.
DETAIL: Detail should be soft, intricate, ornate and feminine, with emphasis on framing your face. Oversized bows, flouncy ruffles, and delicate lace are always good choices as long as they are luscious and womanly, instead of “little-girlish.” Necklines should be soft and draped with curved edges (ornate necklines are especially sophisticated). Shoulders should be curved, with round pads; shoulder tucks or gathers, leg o’ mutton, and draped dolman styles are all appropriate. Sleeves should be tapered at the wrist with intricate buttons, or very soft and flowing. Any kind of sparkle is excellent (pearls, sequins, beading, etc.) The waistline should always be emphasized, with soft gathers, folds, draped sashes, and lightweight and supple belts to give a cinched effect. Belt buckles should always be intricate and feminine.
Avoid: All tailored, angular, or severe detail. All chunky, rough, or oversized detail. All geometric necklines. All sharp edges–pleats, square shoulder pads. All crisp detail–perky bows, tiny ruffles. All minimal or “no detail” looks.
SEPARATES: Your use of separates should always include an artful blending of plush textures, draped fabrics, and luxurious colors so you never disrupt the soft fluidity of line.
Always avoid any kind of harsh contrast between the top and bottom.
COLOR: Your use of color should emphasize a watercolor palette of soft pastels and luscious brights. Any shade that is named for a food or flower (grape, melon, raspberry, rose, salmon, etc.) is a prime candidate. Rich, luxuriously blended colors are your most effective tools to express your lush femininity. Pale neutrals (bone, dove gray, white, taupe) are your best accents.
Avoid: Dark, monochromatic color schemes. Neutral, monochromatic color schemes. Sharp color contrast. (Note: Always within your Color Palette. Kibbe believes in the Color System, but doesn’t get heavy into it other than for hair and makeup. He suggests checking out Color Me Beautiful books (the books at the time of his writings). )
PRINTS: Should be rich and luscious with the emphasis on an abstract, watercolor blend (think Monet). Swirls of color, flowing together, with soft and rounded edges may be used in abundance. Keep prints luxuriously large; oversized florals or feather shapes are especially lovely.
ACCESSORIES: Accessories should always be kept feminine, ornate, and softly sophisticated. The effect may be lavish, but the workmanship should be intricate and delicate.
Avoid: Anything heavy, chunky, sharp, or tailored.
Shoes: Delicate, feminine styles. Strappy, slender-heeled with tapered or open toe. Lightweight and supple leather. Feminine flats, with ornamentation.
Avoid: Tailored, chunky, angular, and heavy styles. Plain styles.
Avoid: Tailored, angular, or boxy shapes. Stiff leather, or heavy shoulder straps. Elegantly slim briefcases.
Belts: Should be a soft and supple leather or fabric. Buckles should be intricate. All beaded, bejeweled, or sparkly styles are excellent. Your belts are a focal point, and should be selected as carefully as a fine piece of jewelry. They should give a “cinched-waist” effect.
Hats: Soft, curvy shapes. Picture-frame styles. Large, fluffy fur hats. (Monty note: In case you go skiing or to Russia in winter.)
Avoid: Crisp or man-tailored hats.
Hosiery: Keep your hosiery sheer. A “light leg” with the stocking and shoe in one color, several shades lighter than your hemline, is very elegant.
Jewelry: Should always be delicate and lavish, with intricate and ornate touches. Rounded shapes, curves, swirls, and lots of dangles add the perfect touch to pull your look together. Sparkly materials are essential (crystal, gems, glass, polished metal, etc.), and antique, baroque, or rococo effect is desirable.
For the individual garment types, obviously, I will be focusing mainly on the lines of the garment, as fabric and color choices would easily be controlled by the home sewer. It’s nice that he included a long list of acceptable fabrics though!
Jackets: Should always be fitted at the waist. Soft, supple styles with peplums, nipped-in waists, and belts are excellent. Lapels should be curved, rounded, or shall-collard. A lapel-less model would also be good. Shoulders should have rounded pads; gathers, tucks, or bouffant shapes work equally well. Sleeves should be tapered. The more intricate or antique-looking your buttons are the better. Any draped, gathered, or shirred touches are wonderful accents.
Avoid: Tailored jackets (blazers, double-breasted, boxy. Long, straight jackets that hide the waist. Unconstructed, shapeless jackets. All sharp edges (sharp lapels, pleats, or angular detail).
While I was able to find plenty of styles that seem to suit the Romantic type, it was much harder to distinguish Level of Dress for Romantics in this category. Because Kibbe recommends avoidance of anything “tailored,” all coats and jackets to some extent seem very formal or stiff for a Romantic. I think most of these styles could be utilized at any level, depending on fabric choice and styling.
Coats – Level 1: I had some trouble finding examples at this level, as Romantic styles exude opulence and femininity, and an every day coat is sort of the antithesis of that. But, I think we’ve got a few good options for the Romantic girls out there:
Coats – Level 2: These are coats that would be fabulous to wear to a more formal office job or on a fancier date to the theater.
Coats – Level 3: This section is pretty much for when you want to show up and look totally fabulous:
Jackets – Level 1: As with the Level 1 Coats, finding some Level 1 jackets was a bit tricky, but definitely doable if you look for rounded shapes, soft shoulders, and minimal tailoring. Raglan sleeves are a great option.
Jackets – Level 2: This mid tier is actually pretty tricky for jackets – it was hard to split the line between a softer style as would be recommended for Romantics and a more tailored style which would be expected in a formal office environment.
Jackets – Level 3: This section is really fun because the Romantics gets some really pretty jackets for special events.
Skirts: Should be kept full and flowing with soft gathers at the waist and uneven hemlines. Your version of the basic “straight skirt” is actually tulip shaped: full and gathered at the waist and tapered at the hemline, which is short. All flared styles are excellent, from trumpets and swings to any bias-cut or gored style. Lengths should be kept gracefully long on uneven hemlines (mid calf), and short on the tapered styles with an even hemline (mid kneecap).
Avoid: All straight and tailored skirts, A-lines, and pleats.
Skirts – Level 1: It was a little tricky to pick out good Romantic skirts, especially because there are so many varied styles that Kibbe recommends. Level 1 was certainly the hardest, but I think there are some good options out there.
Skirts – Level 2: For this level I used some more symmetric styles, with cleaner lines, but still looked for the drape and flow Kibbe wants for his Romantic.
Skirts – Level 3: Romantic Level 3 skirts are all about frothy fun styles that would look fabulous at a fancy formal event.
Pants: Should always be soft, draped, and showcase your luscious curves! Gathers at the waist and a tapered or pegged bottom are the best shape for you.
Pants – Level 1: I had trouble finding non-Burda patterns to fit Kibbe’s description; not because they don’t exist, but because I tend not to buy those styles. Regardless, he is pretty explicit on the style of pant, and doesn’t give nearly as many options as for skirts.
Pants – Level 2: The trousers in Level 2 are much the same shape as Level 1, but have more refined details like zippers, smooth waistbands, and more elegant fabric recommendations.
Pants – Level 3: I didn’t have much luck finding Level 3 trousers for a Romantic – honestly, it is much easier to dress up extreme curves with skirts and dresses, as I think “Level 3” pant styles are traditionally thought of as being more tailored, which is sort of the antithesis of Kibbe’s recommendations for the Romantic. However, I did find one style I thought would work well:
Blouses: Soft, draped styles. Sophisticated flounces and fills. Any antique styles.
Avoid: All tailored styles.
Blouse – Level 1: Kibbe’s recommendations for blouses are quite general, so there really are quite a few patterns that would work well, at all three levels. Fabric choice will be keep in making something feel more casual vs. more elevated.
Blouse – Level 2: There are so many great Romantic blouse options, especially at Level 2.
Blouse – Level 3: I think most of the Level 3 styles could also be worn as Level 2 (or even 1) for a Romantic. However, as part of the right outfit, I could easily see these looks heading to a fancier event as well!
Sweaters: Soft, fluffy knits. Clingy, draped knits. Plush knits. Short lengths with waist detail. Cowl necks.
Avoid: Skinny, ribbed knits. Thick, nubby knits. Oversized sweaters. Turtlenecks and long pullovers. Cardigans. Crew-necked shetlands.
Sweater – Level 1: Sweaters work really well for the Romantic; it’s easy to find styles that are soft and draped that will work well with the Style ID.
Sweater – Level 2: These sweaters are a bit more specific to Kibbe’s Romantic guidelines, and as such they feel more appropriate for fancier events.
Sweater – Level 3: With the Dramatics I had problems finding Level 3 sweaters, but not so with the Romantics! Adding a soft, draped topper can really elevate a look for them.
Dresses: Should always be feminine and flowing. Waist emphasis, ornate detail, and swirling or flouncy skirts.
Avoid: Stiff, structured, or tailored styles (coat dress, chemise, etc.). Straight styles with no waist. Shapeless, wide, or baggy dresses.
Dress – Level 1: It’s hard to find a really casual looking dress for a Romantic; anything with “ornate detail” and “swirling skirts” tends to look a bit on the fancy side. But I think we’ve got a few decent options to look through.
Dress – Level 2: Once again, finding a date-night dress for a Romantic was pretty easy; finding a work-appropriate dress was a bit more challenging, but there are plenty of patterns out there, so we’ve got a few good options here as well.
Really, evening wear is just an extension of the Type 3 Dresses, but who could ever get tired of looking at flouncy, pretty sewing patterns?
That was a lot! When I had a category that worked well for a Romantic type (like dresses or blouses) I found a lot of examples in my pattern stash, more than I even showcased here. However, I struggled a bit more to find interesting variations for things like trousers, where the options are much more narrowly defined. I think we will see that with most style IDs – some types of clothing are more well suited than others, but if you really want to find something, sticking to the general guidelines regarding shape, line, and fabric choice can really help. I also noticed that I had to look in my older patterns a bit more for the Dramatic lines, whereas I’m having much more luck finding newer styles that suit a Romantic. One one hand I think this certainly says something about how the concept of “ideal” is constantly changing, which is why it is a fallacious concept to begin with, but on a much shallower note, it also somewhat justifies the idea of a pattern stash. Despite the Dramatic styles coming from 1 to 2-decade old pattern magazines, those styles would still look really modern in the context of a Dramatic look, and I think we see the same with the prevalence of the vintage styles I pulled for the Romantic. I mean, sure, you could get into costume territory with the styling if you wanted, but I think a modern take on hair and makeup would make these clothes quite relevant today. Anyway, with this we’ve taken a look at patterns that fit the extreme ends of Kibbe’s spectrum, so now we need to see what happens when we start to mix yin and yang together.
Ok Kibbe fans – who out there is a Romantic? What do you think about all the frothy fun dresses you have to choose from? Does this very feminine style suit you? Or do you want to rebel against all the softness and the ruffles? Feel free to discuss in the comments, as well as add any suggestions for good indie pattern brands that might work well for our Romantic girls out there.
Coming Next Week: We’ve already seen the hard Yang Dramatics and the soft Yin Romantics, so it’s time to see what happens when we blend them together to get the center of the spectrum with Kibbe’s Classic!
Wow…this is quite a bit of information, and all so useful. I do have a problem with the blouse category because all the ruffles and draping is just too much. Not my style at all. I have learned, though, about the concept of rounded shoulders and soft curves. I already knew that tapered pants worked on me, but now I know why. My challenge will be to follow the romantic “rules” without such a heavy emphasis on ruffles and heavy draping. I’ll read through this post again carefully and pick out pattern styles that are appropriate but on the side of less “fru fru”.
That’s what’s so great about sewing too – it’s easy to leave off the ruffly bits if you really don’t like them! My sister is also in the Romantic category, and I can’t imagine her drowning in ruffles either. Soft drapes and gathers maybe, but definitely not ruffles. I think the trick is to look at the recommendations and keep the general silhouette in mind, then make the style your own by deciding what elements you do or don’t particularly like and choosing to incorporate them or not.
This definitely not my Kibbe, but there are so many nice patterns, I almost wish I was! (a couple of these are even in my stash). You have really come up with sets of wonderful patterns for these posts. Gotta go back and chekc out the previous one.
Thanks! I am having fun looking through my patterns and classifying them in a new way. It’s interesting to see how certain pattern categories work really well for one Kibbe types versus others, or how some patterns could work well for multiple types. I’m trying to find unique styles for each type, to really hone in on exactly what Kibbe suggests and show how each ID is unique, but I’m certainly finding a lot of things that fit at least partially into the Kibbe recommendations. I think a lot of these “almost” patterns could work as well, especially to create more of a personal style, but I think those sorts of things might best be explored after finishing the main posts in this series.
Wow, thank you so much for all of your hard work! I obsess over how to sew a wardrobe rather than a single item, to keep a consistent silhouette and to make my way through all of the available patterns. I am new to Kibbe and took the test. I am a classic but I like a couple of your ideas from the dramatic and romantic. Next week should be great. Awesome insight and amazingly helpful!
Thanks for including a range of sizes! So much Kibbe stuff online is for slender people only! 😉 I used to wear some stuff that veered into Romantic territory when I started sewing – lots of Colette patterns, back when they did vintage inspired. Nowadays most of this would make me feel far too froufrou!
There are so many good Plus patterns it would be silly to not include them! Plus it sort of goes back to the idea that a lot of people sew because they don’t fit standard sizing.
I agree with starting off sewing Romantic – if you look at my Vogue Collection it is soooooo Romantic heavy, it’s almost hilarious. Good thing I have a sister who is a Romantic… I can sew all the froufrou for her!
I just can’t express how much I love these posts. It’s like all my favorite things wrapped up together. I can’t imagine the amount of work that goes into it.
I recognize so many of my own patterns here in the Romantic category, and of course it’s because I’ve been buying based on my love of those romantic shapes, not because they would ever suit me in any way. I pull the draped dresses and voluminous skirt patterns out every so often, but then I go back to my Classic “uniform.” I did go through a vintage dress phase, but it was mostly 1940s shirtwaists, which I think were okay for the Classic.
Thanks! Yes, these are certainly some of the most labor intensive posts I’ve ever done, but I am enjoying really exploring this topic in depth, and applying it to sewing instead of the typical celebrity examples. (I mean, the celebrity examples are super helpful, but so often they are either in bathing suits or evening gowns it is hardly helpful in a practical sense.) It has certainly been eye-opening to me how varied my tastes are, and has really got me to think about choosing patterns I know will work well, as opposed to patterns that I can “get away with,” and styles that are doomed from the start.
Fantastic read! So interesting and helpful, I find this is such a great (and new?) way to look at patterns in order to make the most perfect wardrobe. Thumps up for this series!
Another really fascinating post, thanks! I am interested that you think there are more Romantic styles lately; we’ve certainly had the big sleeve trend and the peplum trend popping up everywhere over the last few years, both of which suit the Romantic.
And even though I’m the antithesis of this style it’s a lot of fun to pattern spot 🙂
I have the same issue with Dramatic – I loooooove looking at those types of styles, but I know they really don’t work well for me. I don’t love the flounce of the Romantic, but I think I could get away with wearing is a bit more than the super straight, clean Dramatic lines. Even after doing just 2 of these posts I’m already starting to think which Kibbe type would look good in the new pattern releases…
This post really highlights to me why I always do that thing when I go shopping (OK, so that’s not very often anymore) where I see a romantic-style blouse or dress with ruffles and think ‘oooohh so pretty’ and then try it on and am all ‘wtf is this?’ because it looks ridiculous on me!
Love live the series – have never really given much thought to this sort of thing but you bring it to life in such a useful way. I find it really difficult to compare myself to pictures of celebrities who are ch seems to be the standard, but this? This I can work with, because I have a pretty good idea by now of what patterns will suit me best, and I’m so keen to see if I’m right when you get to what I suspect I fall into! 🙂
Thanks! I’m so happy this series has gotten such a positive reception! I think sewing people are particularly perceptive towards these ideas because we already spend so much time considering clothing, fit, style, line, etc…
I love this series. You are certainly putting a lot of work into the pattern recommendations which is such a help in interpreting the Kibbe system. I don’t know where I fit into the system–perhaps I’ve aged out of it as a former gamine who is just too old to be gamine–but I am thoroughly enjoying your take on it. Thank you!
I don’t think you ever “age out” – people love to use Meryl Streep and Betty White as examples. I think personal tastes can change as we age (I know mine have), but the relationships of the lines of the body that Kibbe uses don’t really change *that* much. I’m not saying bodies and people don’t change (they do), but I don’t think a Kibbe type changes. Gamine is always shown as being crazy mod in wild colors, which I don’t think needs to be the case. You can be Gamine and still need muted colors, or choose conservative silhouettes (actually very easy with Gamine!). We’ve been looking at the extremes, and I’ve been picking patterns that fit those recommendations as closely as possible, but I think all of these types have room to play, adjust, and have their own style. I’m sure I’ll do more posts on this topic after I finish my main series, but I really hope nobody feels left out because I keep using patterns with younger models in the photos. I really think that’s a commentary on the choices made by the pattern industry and not Kibbe’s system.
Wow these posts must take hours of work. I would not describe my style preference as romantic at all, but I love most of the coats and jackets here. Although I’m thinking maybe that’s just because I love coats and jackets!!
Once again, an excellent post! It is obvious that you are taking tremendous time to provide wonderful visual examples of Kibbe’s narrative. I actually do have some of these patterns and I LOVE 1940s styles (have tons of vintage and vintage reprints from that era). I would probably never wear tapered pants with waistline gathering (although maybe they would look great on me???), but I have made the blouse from Butterick 5859 several times and I consistently get compliments when I wear that style. It makes me wonder where I fall in Kibbe’s system. These posts are definitely thought provoking! Also, what do you think about Simplicity 1467 wardrobe pattern for Romantics? The jacket seems like it fits the Romantic type with its peplum and the trousers have pleats and a “smooth” elastic waist but aren’t super tapered.
I too look awful in tapered pants. On Instagram someone suggested I looked like a Romantic and my first thought was, “Oh no, I could never wear those pants!”
I think at this point because I have only posted Dramatic and Romantic, it seems like patterns may fall into one category only, but with Classic next week you will see how some patterns can work well for multiple types. I think Butterick 5859 is one of those patterns. You have enough softness and drape to work for a Romantic, but you also have clean lines with a hint of detail that would work well for a Soft Classic too. Because Romantic influences all of the “Soft” categories, I expect we will see many of the less flouncy styles from this post pop up again when we get to those categories. If you really enjoy that top, you probably fall into Soft Natural or Soft Classic category – I think it could work well for those groups too!
I think Simplicity 1467 could work for a Romantic who enjoys less frills, as it has enough elements to read Romantic, but I really think it would be perfect for a Soft Classic. The shapes are very clean, but with a touch of Romantic detail that would work really nicely with that category.
You are amazing. How many hours/days is this series taking of your time? And thank you for doing it.
I am so looking forward to the rest of the series. I’m not sure I am dramatic, but I have never been so sure about anything as I am that I am NOT a romantic. Just thinking about wearing these styles almost makes me feel nauseous. It explains why some pattern companies just don’t do it for me. Colette for example.
You are so welcome! It is taking a lot of time (I’m spending several hours a day, at least), but I’m finding it helpful myself as well. With all the new pattern releases, I find myself turning down purchases I know won’t work for me or my sister, and leaving a lot of maybes off my wishlist. It’s also giving me a clear idea of when something would be really unique for my stash too.
I think you will really like it as we dig deeper into the series – now that all the remaining types and subtypes have some mix of yin and yang, we will start to see some overlap of styles that work, but also styles that are different or unique to the subtypes. It’s been interesting because I’ve been working on the Classic and Gamine posts how some patterns work for both types and others are so squarely in a single type it isn’t even funny.
Your comment about Collete is why I generally didn’t want to use Indie brands – I feel like they work much harder to cultivate a Style ID themselves, whereas with Burda and the Big 4 you can really see a shift over time because they follow the trends a bit more, and have a much larger catalogue to work from. I may do a Kibbe/Indie post later, after I’ve finished the main series though, as I do think finding indie brands that you identify with could be really helpful for people who tend away from the Big 4.
Thanks for the fun posts! I love looking at patterns, so know that your efforts are greatly enjoyed. I’m finding too many things I want to sew… Did you find the Burda cape with the bow neck detail on the current site? I can only find it on the Russian one, and can’t make out any purchasing information. Burda always confuses me with their numbering and I’m often unable to find styles I’ve seen before, plus I don’t get how the numbering ties in with the catalogue and the magazine.
Ah! If I use “BS-” I’m indicating that it is a magazine pattern and “Burda” will indicate a catalog envelope pattern. My Burda numbering system is “BS-month-year-pattern number,” so for the cape BS-08-2009-112 means BurdaStyle August 2009 style #112. On the Burda websites they usually use a slash system for dates, so searching “08/2009” on the site should bring up any patterns they have from that issue of the magazine. I did not see that the US site had the patterns, but the German site (the main site) has the PDF available for sale:
It’s Ebay, so no promise on how long it will be there.
The Burda patterns with a four-digit number are the envelope patterns, which you can buy from their website as PDF or paper pattern, or the Simplicity website, or from Jo-Ann (at least in the US).
Personally, I like paper patterns, so I get the current magazines on subscription, and my older issues are from dedicated Ebay stalking, and I buy the envelope patterns from Jo-Ann when there is a (rather infrequent) sale.
Hope that helps clarify things, let me know if you are still confused about anything.
Thank you!! I bought the pattern successfully from the German site, so I have a fun evening of taping ahead. I should have explained that your numbering wasn’t confusing–it is the multiple platforms Burda has for patterns and the way they sometimes overlap, but not always! I’ll make a note of the German site as the main one to reference.
Yes, when in doubt go to the German site! The US site is sometimes helpful, but they are always the last to get the patterns and don’t carry as many from the back catalog.
Thanks! I too am overwhelmed in the flounce. It is sort of funny because when my friend was getting married, my sister and I were trying on bridesmaid dresses and everyone thought it was crazy how we both looked good in such radically different styles. In hindsight, she could pull off a lot of the flouncier styles (she’s a Romantic), whereas I needed smoother lines, asymmetry, and waist emphasis (Soft Natural). The fun thing is I can still get away with sewing the “so pretty” styles, I just need to make sure they fit her and not me!
You’ve created my dream wardrobe! Several Burda Style are so yummy and are not on the site or available on eBay. There was a couple early magazines in German but since I’ve never used Burda before I don’t know I’d be able to figure it out. Love all the picks though. The only ones I wouldn’t wear are bare shoulders or decoletage. I know I’m not full on romantic. When I took the test I was almost completely split between D’s & E’s with slightly more e’s. The ID page mentions that Kibbe does not have a type for D’s but that other systems will cast it as ingenue which makes sense why I could never quite type myself back in the 80s. I’m not sexy just very feminine and mistaken for younger ( which isn’t bad when you get my age). One problem though is that all the style advice for over 50 is wear Classic/ Dramatic maybe Natural. Classic and Dramatic just age and make me look tired and frumpy. I admire the lines but not on me. There’s a lot of natural now so that’s what I’ve been going with, but it adds 10 or 20 lbs because you can’t find my waist. The other thing I love but I’m wondering if it would look good is the tapered pants. In the 80s we were told at sewing conventions I attended that tapered pants with drapery pleats slimmed you. But then styles changed and only flat front straight legged was more flattering. It’s I interesting how one decades yes becomes another’s no. I think that’s why I’m mostly a skirt or leggings gal. Anyway, I’m definitely going to be continually perusing the selections on this post. It’s just so full of yummy goodness!:)
Thanks! I think I’ll have more to say on the concept of ingenue in a different post, as it’s a complex topic, but I think D mostly relates to Theatrical Romantic in the Kibbe system. I’m glad you are having fun looking at patterns though, and I’m really happy this series is helping people narrow down choices in the massive sea of fashion styles we have today.
My mother is definitely theatrical romantic. She was real stunner and more fine lines. She developed early and was never mistaken for younger. Me I was always mistaken for the babysitter when I came to the door with kids😉
Hahaha, when I was younger I was mistaken for older, but when I was older, I was mistaken for younger. I’m still hovering around that “younger” age, but people at least aren’t mistaking me for a high school student anymore!
Such helpful information! I fit into the romantic style, but without all of the flounces. The fitted waist, v necklines, assymetrical skirt hemlines, and tapered pants are all spot on for my silhouette. I have bookmarked this entry and will review it again. Thanks for all the time and effort that you’ve put into this thoughtful post.
It’s quite possible you may find Theatrical Romantic to be your sweet spot when we get to that Style ID. Romantic silhouettes provide the base, but there is an extra dose of Dramatic yang, which tones down the ruffles quite a bit. I think you will really like it!
Thankyou so much for the work you put into these posts.
Funny, I am quite sure I am a theatrical romantic, but I really cannot with the flounces, ruffles and frou-frou. Love the drape and 50s vintage silhouettes though, and I have that one uber-draped coat in my stash, but never made it.
I am surprised pallazzo-pants are not in this category, being so drapey…
Where I currently am, I feel like I need to streamline my style to be taken seriously and veer too much into classic territory, though I really love so many of these styles. I used to want to wear nothing but poufy ballgowns when I was a kid.
I think Theatrical Romantic can be considerably more streamlined than pure Romantic. I’ll be working on that post soon, so I’ve not fully considered it yet, but I think the additional yang tones down the frou-frou quite a bit. I also think people can find their own sense of style within their Kibbe category; if you are a Romantic who hates ruffles, maybe you go for the most streamlined looks you can find, but in a softer fabric to retain the Romantic feel.
As far as palazzo pants go, I assume Kibbe left those in the Natural category because of scale – on the more petite IDs, he tends to emphasize fit at the wrists/neck/ankles, whereas it isn’t as important for Natural because the scale is larger.
Yup! Natural is going up tomorrow, then I’m going to post an interlude/comment round up before moving on, but I can say that the Soft Dramatic post is in progress, and Theatrical Romantic will be after that. I may try to reduce how many patterns I’m posting, but it’s already hard because Soft Dramatic has all the pretty dresses and I want to show them all! Plus, I don’t want to shortchange people who are in the various subtypes, and I think there is enough of a significant difference between the main types and subtypes that it is all worth exploring.
What an interesting article. Thank you for putting all of this together. I am a romantic but I tend to dress a little more in a soft classic way simply because too many ruffles and pleats and volume around my hips really are overpowering on my 5 foot 1 frame. I actually feel, even though my results were mostly d & e, that I am somewhere between romantic and soft classic. Something to consider I also have at least 20 pounds to lose which I want to do so that body skimming curvy clothes will look better. Even at a later weight I feel I have to wear fairly close to the body cuts because of my height. Full skirts are out but soft draping on a pencil type skirt works well. I tend to choose one item to have the detail and the rest I choose to match simpler lines. Anyway I am saving some of these patterns for my tailor!! It is all so helpful. 🙂
Your selections are great examples but for one tiny detail – anything double-breasted. I met with David in the 80s and he tore apart my double-breasted coat dress telling me “never, ever, ever” wear anything double-breasted. Thank you for the otherwise wonderful examples. I will be following your blog on this subject avidly. I have long wished others would use the seasonal color and style according to one’s body type rules and it has made choosing clothes so much easier. David, himself, was very definitely Romantic in style. I wish he would publish another book!tha k you for bringing him to the foreground.
That’s so cool that you met him! In hindsight the no-double breasted thing makes a lot of sense for this type. The nice thing about sewing is that you can change patterns to make things not double breasted if the other details work well.
What a great post! I am definitely a Kibbe Romantic and I have his book, but the pictures are all so dated now. I had a hard time finding modern clothes that also gave off a Vintage vibe, and you have put all this together so well. Thank you so much! Lots of inspiration!
Hello,
I come long after the post but I just discover Kibbe.
First thank you for your work : very complete and good explained.
I think I’m a romantic person (half c in bones, half d and e for all the other answers). But I’m 1,70m and look 1,70… And I love structured and fitted outfit, more like soft classic look. I have the impression that too delicate stuff is lost on me.
If you can help me !!!!
Thank you very much.
Wow…this is quite a bit of information, and all so useful. I do have a problem with the blouse category because all the ruffles and draping is just too much. Not my style at all. I have learned, though, about the concept of rounded shoulders and soft curves. I already knew that tapered pants worked on me, but now I know why. My challenge will be to follow the romantic “rules” without such a heavy emphasis on ruffles and heavy draping. I’ll read through this post again carefully and pick out pattern styles that are appropriate but on the side of less “fru fru”.
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That’s what’s so great about sewing too – it’s easy to leave off the ruffly bits if you really don’t like them! My sister is also in the Romantic category, and I can’t imagine her drowning in ruffles either. Soft drapes and gathers maybe, but definitely not ruffles. I think the trick is to look at the recommendations and keep the general silhouette in mind, then make the style your own by deciding what elements you do or don’t particularly like and choosing to incorporate them or not.
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This definitely not my Kibbe, but there are so many nice patterns, I almost wish I was! (a couple of these are even in my stash). You have really come up with sets of wonderful patterns for these posts. Gotta go back and chekc out the previous one.
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Thanks! I am having fun looking through my patterns and classifying them in a new way. It’s interesting to see how certain pattern categories work really well for one Kibbe types versus others, or how some patterns could work well for multiple types. I’m trying to find unique styles for each type, to really hone in on exactly what Kibbe suggests and show how each ID is unique, but I’m certainly finding a lot of things that fit at least partially into the Kibbe recommendations. I think a lot of these “almost” patterns could work as well, especially to create more of a personal style, but I think those sorts of things might best be explored after finishing the main posts in this series.
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You will be THE Kibbe go-to expert! 🙂
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Wow, thank you so much for all of your hard work! I obsess over how to sew a wardrobe rather than a single item, to keep a consistent silhouette and to make my way through all of the available patterns. I am new to Kibbe and took the test. I am a classic but I like a couple of your ideas from the dramatic and romantic. Next week should be great. Awesome insight and amazingly helpful!
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Thanks for including a range of sizes! So much Kibbe stuff online is for slender people only! 😉 I used to wear some stuff that veered into Romantic territory when I started sewing – lots of Colette patterns, back when they did vintage inspired. Nowadays most of this would make me feel far too froufrou!
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There are so many good Plus patterns it would be silly to not include them! Plus it sort of goes back to the idea that a lot of people sew because they don’t fit standard sizing.
I agree with starting off sewing Romantic – if you look at my Vogue Collection it is soooooo Romantic heavy, it’s almost hilarious. Good thing I have a sister who is a Romantic… I can sew all the froufrou for her!
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I just can’t express how much I love these posts. It’s like all my favorite things wrapped up together. I can’t imagine the amount of work that goes into it.
I recognize so many of my own patterns here in the Romantic category, and of course it’s because I’ve been buying based on my love of those romantic shapes, not because they would ever suit me in any way. I pull the draped dresses and voluminous skirt patterns out every so often, but then I go back to my Classic “uniform.” I did go through a vintage dress phase, but it was mostly 1940s shirtwaists, which I think were okay for the Classic.
I’m looking forward to next week’s analysis.
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Thanks! Yes, these are certainly some of the most labor intensive posts I’ve ever done, but I am enjoying really exploring this topic in depth, and applying it to sewing instead of the typical celebrity examples. (I mean, the celebrity examples are super helpful, but so often they are either in bathing suits or evening gowns it is hardly helpful in a practical sense.) It has certainly been eye-opening to me how varied my tastes are, and has really got me to think about choosing patterns I know will work well, as opposed to patterns that I can “get away with,” and styles that are doomed from the start.
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What a brilliant post! It’s so helpful to see such a comprehensive range of possible styles under this Romantic heading.
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Fantastic read! So interesting and helpful, I find this is such a great (and new?) way to look at patterns in order to make the most perfect wardrobe. Thumps up for this series!
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Another really fascinating post, thanks! I am interested that you think there are more Romantic styles lately; we’ve certainly had the big sleeve trend and the peplum trend popping up everywhere over the last few years, both of which suit the Romantic.
And even though I’m the antithesis of this style it’s a lot of fun to pattern spot 🙂
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I have the same issue with Dramatic – I loooooove looking at those types of styles, but I know they really don’t work well for me. I don’t love the flounce of the Romantic, but I think I could get away with wearing is a bit more than the super straight, clean Dramatic lines. Even after doing just 2 of these posts I’m already starting to think which Kibbe type would look good in the new pattern releases…
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This post really highlights to me why I always do that thing when I go shopping (OK, so that’s not very often anymore) where I see a romantic-style blouse or dress with ruffles and think ‘oooohh so pretty’ and then try it on and am all ‘wtf is this?’ because it looks ridiculous on me!
Love live the series – have never really given much thought to this sort of thing but you bring it to life in such a useful way. I find it really difficult to compare myself to pictures of celebrities who are ch seems to be the standard, but this? This I can work with, because I have a pretty good idea by now of what patterns will suit me best, and I’m so keen to see if I’m right when you get to what I suspect I fall into! 🙂
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Thanks! I’m so happy this series has gotten such a positive reception! I think sewing people are particularly perceptive towards these ideas because we already spend so much time considering clothing, fit, style, line, etc…
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I love this series. You are certainly putting a lot of work into the pattern recommendations which is such a help in interpreting the Kibbe system. I don’t know where I fit into the system–perhaps I’ve aged out of it as a former gamine who is just too old to be gamine–but I am thoroughly enjoying your take on it. Thank you!
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I don’t think you ever “age out” – people love to use Meryl Streep and Betty White as examples. I think personal tastes can change as we age (I know mine have), but the relationships of the lines of the body that Kibbe uses don’t really change *that* much. I’m not saying bodies and people don’t change (they do), but I don’t think a Kibbe type changes. Gamine is always shown as being crazy mod in wild colors, which I don’t think needs to be the case. You can be Gamine and still need muted colors, or choose conservative silhouettes (actually very easy with Gamine!). We’ve been looking at the extremes, and I’ve been picking patterns that fit those recommendations as closely as possible, but I think all of these types have room to play, adjust, and have their own style. I’m sure I’ll do more posts on this topic after I finish my main series, but I really hope nobody feels left out because I keep using patterns with younger models in the photos. I really think that’s a commentary on the choices made by the pattern industry and not Kibbe’s system.
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Wow these posts must take hours of work. I would not describe my style preference as romantic at all, but I love most of the coats and jackets here. Although I’m thinking maybe that’s just because I love coats and jackets!!
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I have the same problem – I have waaaaay more coat and jacket patterns than anything else. Even though I live in a really warm climate.
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Once again, an excellent post! It is obvious that you are taking tremendous time to provide wonderful visual examples of Kibbe’s narrative. I actually do have some of these patterns and I LOVE 1940s styles (have tons of vintage and vintage reprints from that era). I would probably never wear tapered pants with waistline gathering (although maybe they would look great on me???), but I have made the blouse from Butterick 5859 several times and I consistently get compliments when I wear that style. It makes me wonder where I fall in Kibbe’s system. These posts are definitely thought provoking! Also, what do you think about Simplicity 1467 wardrobe pattern for Romantics? The jacket seems like it fits the Romantic type with its peplum and the trousers have pleats and a “smooth” elastic waist but aren’t super tapered.
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I too look awful in tapered pants. On Instagram someone suggested I looked like a Romantic and my first thought was, “Oh no, I could never wear those pants!”
I think at this point because I have only posted Dramatic and Romantic, it seems like patterns may fall into one category only, but with Classic next week you will see how some patterns can work well for multiple types. I think Butterick 5859 is one of those patterns. You have enough softness and drape to work for a Romantic, but you also have clean lines with a hint of detail that would work well for a Soft Classic too. Because Romantic influences all of the “Soft” categories, I expect we will see many of the less flouncy styles from this post pop up again when we get to those categories. If you really enjoy that top, you probably fall into Soft Natural or Soft Classic category – I think it could work well for those groups too!
I think Simplicity 1467 could work for a Romantic who enjoys less frills, as it has enough elements to read Romantic, but I really think it would be perfect for a Soft Classic. The shapes are very clean, but with a touch of Romantic detail that would work really nicely with that category.
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You are amazing. How many hours/days is this series taking of your time? And thank you for doing it.
I am so looking forward to the rest of the series. I’m not sure I am dramatic, but I have never been so sure about anything as I am that I am NOT a romantic. Just thinking about wearing these styles almost makes me feel nauseous. It explains why some pattern companies just don’t do it for me. Colette for example.
Again, thank you.
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You are so welcome! It is taking a lot of time (I’m spending several hours a day, at least), but I’m finding it helpful myself as well. With all the new pattern releases, I find myself turning down purchases I know won’t work for me or my sister, and leaving a lot of maybes off my wishlist. It’s also giving me a clear idea of when something would be really unique for my stash too.
I think you will really like it as we dig deeper into the series – now that all the remaining types and subtypes have some mix of yin and yang, we will start to see some overlap of styles that work, but also styles that are different or unique to the subtypes. It’s been interesting because I’ve been working on the Classic and Gamine posts how some patterns work for both types and others are so squarely in a single type it isn’t even funny.
Your comment about Collete is why I generally didn’t want to use Indie brands – I feel like they work much harder to cultivate a Style ID themselves, whereas with Burda and the Big 4 you can really see a shift over time because they follow the trends a bit more, and have a much larger catalogue to work from. I may do a Kibbe/Indie post later, after I’ve finished the main series though, as I do think finding indie brands that you identify with could be really helpful for people who tend away from the Big 4.
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Thanks for the fun posts! I love looking at patterns, so know that your efforts are greatly enjoyed. I’m finding too many things I want to sew… Did you find the Burda cape with the bow neck detail on the current site? I can only find it on the Russian one, and can’t make out any purchasing information. Burda always confuses me with their numbering and I’m often unable to find styles I’ve seen before, plus I don’t get how the numbering ties in with the catalogue and the magazine.
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Ah! If I use “BS-” I’m indicating that it is a magazine pattern and “Burda” will indicate a catalog envelope pattern. My Burda numbering system is “BS-month-year-pattern number,” so for the cape BS-08-2009-112 means BurdaStyle August 2009 style #112. On the Burda websites they usually use a slash system for dates, so searching “08/2009” on the site should bring up any patterns they have from that issue of the magazine. I did not see that the US site had the patterns, but the German site (the main site) has the PDF available for sale:
https://www.burdastyle.de/produkt/magazinschnitt/minicape-08-2009-_112-082009-DL
I also found the magazine for sale on Ebay:
https://www.ebay.com/itm/Burda-Style-08-2009/223034727017?hash=item33ede7da69:g:p9IAAOSwyXNaMKD7:rk:1:pf:0
It’s Ebay, so no promise on how long it will be there.
The Burda patterns with a four-digit number are the envelope patterns, which you can buy from their website as PDF or paper pattern, or the Simplicity website, or from Jo-Ann (at least in the US).
Personally, I like paper patterns, so I get the current magazines on subscription, and my older issues are from dedicated Ebay stalking, and I buy the envelope patterns from Jo-Ann when there is a (rather infrequent) sale.
Hope that helps clarify things, let me know if you are still confused about anything.
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Thank you!! I bought the pattern successfully from the German site, so I have a fun evening of taping ahead. I should have explained that your numbering wasn’t confusing–it is the multiple platforms Burda has for patterns and the way they sometimes overlap, but not always! I’ll make a note of the German site as the main one to reference.
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Yes, when in doubt go to the German site! The US site is sometimes helpful, but they are always the last to get the patterns and don’t carry as many from the back catalog.
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Oh dear – I see these designs and think “so pretty”. Then I try them on and they are just too much (flounce, fabric, fuss).
I am loving this series!
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Thanks! I too am overwhelmed in the flounce. It is sort of funny because when my friend was getting married, my sister and I were trying on bridesmaid dresses and everyone thought it was crazy how we both looked good in such radically different styles. In hindsight, she could pull off a lot of the flouncier styles (she’s a Romantic), whereas I needed smoother lines, asymmetry, and waist emphasis (Soft Natural). The fun thing is I can still get away with sewing the “so pretty” styles, I just need to make sure they fit her and not me!
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You’ve created my dream wardrobe! Several Burda Style are so yummy and are not on the site or available on eBay. There was a couple early magazines in German but since I’ve never used Burda before I don’t know I’d be able to figure it out. Love all the picks though. The only ones I wouldn’t wear are bare shoulders or decoletage. I know I’m not full on romantic. When I took the test I was almost completely split between D’s & E’s with slightly more e’s. The ID page mentions that Kibbe does not have a type for D’s but that other systems will cast it as ingenue which makes sense why I could never quite type myself back in the 80s. I’m not sexy just very feminine and mistaken for younger ( which isn’t bad when you get my age). One problem though is that all the style advice for over 50 is wear Classic/ Dramatic maybe Natural. Classic and Dramatic just age and make me look tired and frumpy. I admire the lines but not on me. There’s a lot of natural now so that’s what I’ve been going with, but it adds 10 or 20 lbs because you can’t find my waist. The other thing I love but I’m wondering if it would look good is the tapered pants. In the 80s we were told at sewing conventions I attended that tapered pants with drapery pleats slimmed you. But then styles changed and only flat front straight legged was more flattering. It’s I interesting how one decades yes becomes another’s no. I think that’s why I’m mostly a skirt or leggings gal. Anyway, I’m definitely going to be continually perusing the selections on this post. It’s just so full of yummy goodness!:)
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Thanks! I think I’ll have more to say on the concept of ingenue in a different post, as it’s a complex topic, but I think D mostly relates to Theatrical Romantic in the Kibbe system. I’m glad you are having fun looking at patterns though, and I’m really happy this series is helping people narrow down choices in the massive sea of fashion styles we have today.
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My mother is definitely theatrical romantic. She was real stunner and more fine lines. She developed early and was never mistaken for younger. Me I was always mistaken for the babysitter when I came to the door with kids😉
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Hahaha, when I was younger I was mistaken for older, but when I was older, I was mistaken for younger. I’m still hovering around that “younger” age, but people at least aren’t mistaking me for a high school student anymore!
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Such helpful information! I fit into the romantic style, but without all of the flounces. The fitted waist, v necklines, assymetrical skirt hemlines, and tapered pants are all spot on for my silhouette. I have bookmarked this entry and will review it again. Thanks for all the time and effort that you’ve put into this thoughtful post.
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It’s quite possible you may find Theatrical Romantic to be your sweet spot when we get to that Style ID. Romantic silhouettes provide the base, but there is an extra dose of Dramatic yang, which tones down the ruffles quite a bit. I think you will really like it!
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Thanks. I will look for your post.
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It won’t be up for a few weeks yet, but it is in the works.
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Thankyou so much for the work you put into these posts.
Funny, I am quite sure I am a theatrical romantic, but I really cannot with the flounces, ruffles and frou-frou. Love the drape and 50s vintage silhouettes though, and I have that one uber-draped coat in my stash, but never made it.
I am surprised pallazzo-pants are not in this category, being so drapey…
Where I currently am, I feel like I need to streamline my style to be taken seriously and veer too much into classic territory, though I really love so many of these styles. I used to want to wear nothing but poufy ballgowns when I was a kid.
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I think Theatrical Romantic can be considerably more streamlined than pure Romantic. I’ll be working on that post soon, so I’ve not fully considered it yet, but I think the additional yang tones down the frou-frou quite a bit. I also think people can find their own sense of style within their Kibbe category; if you are a Romantic who hates ruffles, maybe you go for the most streamlined looks you can find, but in a softer fabric to retain the Romantic feel.
As far as palazzo pants go, I assume Kibbe left those in the Natural category because of scale – on the more petite IDs, he tends to emphasize fit at the wrists/neck/ankles, whereas it isn’t as important for Natural because the scale is larger.
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Oh, I didn’t know you’ll be doing seperate posts for the sub-categories. You are awesome!
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Yup! Natural is going up tomorrow, then I’m going to post an interlude/comment round up before moving on, but I can say that the Soft Dramatic post is in progress, and Theatrical Romantic will be after that. I may try to reduce how many patterns I’m posting, but it’s already hard because Soft Dramatic has all the pretty dresses and I want to show them all! Plus, I don’t want to shortchange people who are in the various subtypes, and I think there is enough of a significant difference between the main types and subtypes that it is all worth exploring.
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What an interesting article. Thank you for putting all of this together. I am a romantic but I tend to dress a little more in a soft classic way simply because too many ruffles and pleats and volume around my hips really are overpowering on my 5 foot 1 frame. I actually feel, even though my results were mostly d & e, that I am somewhere between romantic and soft classic. Something to consider I also have at least 20 pounds to lose which I want to do so that body skimming curvy clothes will look better. Even at a later weight I feel I have to wear fairly close to the body cuts because of my height. Full skirts are out but soft draping on a pencil type skirt works well. I tend to choose one item to have the detail and the rest I choose to match simpler lines. Anyway I am saving some of these patterns for my tailor!! It is all so helpful. 🙂
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Your selections are great examples but for one tiny detail – anything double-breasted. I met with David in the 80s and he tore apart my double-breasted coat dress telling me “never, ever, ever” wear anything double-breasted. Thank you for the otherwise wonderful examples. I will be following your blog on this subject avidly. I have long wished others would use the seasonal color and style according to one’s body type rules and it has made choosing clothes so much easier. David, himself, was very definitely Romantic in style. I wish he would publish another book!tha k you for bringing him to the foreground.
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That’s so cool that you met him! In hindsight the no-double breasted thing makes a lot of sense for this type. The nice thing about sewing is that you can change patterns to make things not double breasted if the other details work well.
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What a great post! I am definitely a Kibbe Romantic and I have his book, but the pictures are all so dated now. I had a hard time finding modern clothes that also gave off a Vintage vibe, and you have put all this together so well. Thank you so much! Lots of inspiration!
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Hello,
I come long after the post but I just discover Kibbe.
First thank you for your work : very complete and good explained.
I think I’m a romantic person (half c in bones, half d and e for all the other answers). But I’m 1,70m and look 1,70… And I love structured and fitted outfit, more like soft classic look. I have the impression that too delicate stuff is lost on me.
If you can help me !!!!
Thank you very much.
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Still reading this in 2020! This is amazing and helpful. Thank you so much!
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